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David Thomas (musician) : ウィキペディア英語版
David Thomas (musician)

David Lynn Thomas (born 1953 in Miami, Florida) is an American singer, songwriter and musician.
He was one of the founding members of the short-lived proto-punkers Rocket from the Tombs (1974–1975), where he went by the name of Crocus Behemoth, and of punk group Pere Ubu (1975–present, intermittently). He has also released several solo albums. Though primarily a singer, he sometimes plays melodeon, trombone, guitar or other instruments.
Thomas has described his artistic focus as being the "gestalt of culture, geography and sound". Common themes crop up throughout much of his work, such as the US Interstate Highway system, images of roadside or "junk" tourist culture, Brian Wilson, AM Radio, and many others.
Something of a cult figure, Thomas's high pitched voice is one of the most distinctive in rock music; Emerson Dameron memorably described Thomas's singing as "James Stewart trapped in an oboe", while Greil Marcus writes that "Mr Thomas's voice is that of a man muttering in a crowd. You think he's talking to himself until you realize he's talking to you."
==Biography==
Though born in Florida, Thomas was raised in the Cleveland, Ohio area. He was an early member of Rocket from the Tombs, which disbanded after about a year, then he formed Pere Ubu, which was originally active from 1975 to 1982.
Afterwards, Thomas worked with a variety of musicians including guitarists Richard Thompson and Philip Moxham, and Henry Cow alumni bassonist/oboist Lindsay Cooper and drummer Chris Cutler. Initially, his solo recordings eschewed Pere Ubu's "rock" focus. Lindsay Cooper's bassoon was often prominent, and, when Richard Thompson's guitar was not featured, guitar would be absent (such as the entirety of 1985's ''More Places Forever''). Thomas's lyrics became increasingly whimsical, with birds being a common theme:
:Somewhere along the line I wrote a song that had birds in it. And then by pure coincidence, another. Some critic asked, "Why all these songs about birds?" And I said to myself, "You think that's a lot of songs about birds?!? I'll show you a lot of songs about birds!" So, for a while, I stuck birds in everywhere I could.
Eventually, several former members of Pere Ubu gravitated into Thomas's group, and by the time of 1987's ''Blame the Messenger'', were sporting a sound distinctly similar to the former band. This fact along with other considerations led directly into the official reformation of Pere Ubu in 1987, and the group has remained active through the present day.

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